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    In the examples cited above, almost all are also women: During the flashing fad, public commentary even turned to such specialized topics as pubic hair grooming and the size and shape of the labia. Nevertheless, the effect is to label the bad girls and lay out for everyone else the standards of proper female behavior. The image of a cult member setting fire to her birth certificate works to summon an era in which youth culture was widely perceived to be politically activist and therefore meaningful, if misguided. The irony here is that all Spears did was shave her head—that is, remove one of the signifiers of her Jennifer aniston ternet up miniskirt upskirt and sexuality, in front of the camera.

    There is no sense of any agency or craft to the act or even to the larger trends for which this behavior and its unregulated nature is meant to stand. These photographs are captioned by comments almost exclusively about her sexuality: Some stars hate the paparazzi. Others use them to reinvent themselves or Sexy twerk youtube their fame. This is the context in which the upskirt phenomenon arose. It brings the banal and the obscene dangerously close together: It is also the subject of academic discourse, but very little of this discourse is devoted to exploring the intersection of gender and celebrity.

    As such, it indicates the ways in which discussion of fame and media is gendered from the outset. The main conflict, as Sconce sees it, is class-based: It is in this context that Hilton becomes the girl we love to hate: This reflection of leisure is not sexualized for these men, whose bodies are not the literal emblems of their fame. The mere fact of mass exposure is enough to sustain enormous and ever-growing niches of the culture industry. It is impossible to ignore when one is talking sex scandal—and sex scandal has ever accompanied celebrity see Cook and McLean.

    With what Owens et. On the other hand, it is often deployed to label someone as trashy or slutty. Those who can say it are hip; those who show it are trash. Here the joke is established by a metonymy with the genitals, and the dig consists in the ambiguity between the anatomical term and its pornographic connotations. Thus, she was able to pretend that she was merely stating an obvious, even clinical fact, while essentially calling these women media whores. This March 28, post from Dlisted. I think this is an inspiration for a lot of girls out there. Who answered this question? Paris or her vagina?

    Give your pussy a little credit Michael K. The name establishes her as a leech with nothing of her own to contribute. This dichotomy emphasizes the love of postfeminist and celebrity gossip culture alike for female rivalry and polarization. It can also be read as an ironic redeployment of pre-feminist relations see Shugart et. Barbara Walters, a woman of the Betty Friedan generation, complained that the viewing public seemed shocked by her use of the term and objected that she certainly was not the prude they thought she was. Why, after her participation, did the phenomenon die down? What is it about the scar photograph, in particular, that disrupts the fantasy and ends the fad?

    At the same time, it preserves a moment only posthumously, thus also capturing the passage of time and the fact of absence. The photograph effect indexes reality, points towards the absence of something that is nevertheless indisputably real. The scar is like a photograph itself, in many ways. It exposes the labia asnothing to see. The obvious question—who leaves the house without underwear in a miniskirt? Thus these images, unfettered by social norms restricting the consumption of pornography, made it impossible to turn away from the horror of nothing to see—they constituted, rather, the horror of something to see. Yet the nature of the prosthesis is ambiguous: In this sense, the prosthesis may always be said to be supplementary, in excess, while at the same time extending or supporting a text.

    David Wills Wills points to this supplementarity in its embodied context: In other words, a prosthesis always points out an absence in the very act of replacement. Moreover, the prosthetic limb has a life of its own: And in what ways does this relation arise from the intensely spectacular nature of the images—that is, from the excess of vision produced by their ubiquity and explicitness? Where it is not possible to purely objectify—that is, where a non-visual economy such as the labia threatens to disrupt the visual—words step in as prostheses to re-objectify this body, reinsert it into a visual and moral economy that is essentially patriarchal.

    In the world of female celebrity, a cultural catchphrase has served to mark important behavioral boundaries in a culture seemingly bereft of such standards.

    That, for example, porn star Jenna Jameson Jennifer aniston ternet up miniskirt upskirt a plastic mould of her own vagina as a sex toy only underlines the prosthetic nature of the word in this context: Jenna Jameson may be a celebrity, but her power as such stems not from her talent and not even from her allure, but from the availability of her anatomy, separate from her subjectivity, to masculine desire. Let us not make the price of our own empowerment the condemnation of others: Works Cited Barthes, Roland. Hill and Wang, A Century of Film Scandal. Rutgers University Press, Hearst Magazines, March Esch, Kevin and Mayer, Vicki.

    Sexuality and the Psychology of Love. The Collected Papers of Sigmund Freud. Celebrity in Contemporary America. University of California Press, From Reverence To Rape: The Treatment of Women in Movies. University of Chicago Press, Catherine Porter and Carolyn Burke. Cornell University Press, New York and London: Women and the Rise of Raunch Culture. Simon and Schuster, A Declaration of Independence. LionNet is a voluntary network of these web services, bringing crosslinking, structure and hierarchy to the Lions net. The goals of LionNet: Nodes are managed by NodeMasters who are encouraged to add their own creativity and local flavour to their pages.

    The LionNet NodeMasters also maintain active contact with local Lions district officers and promote the use of the Internet as a tool for Lionism by giving lectures, writing articles in local Lions magazines and visiting club and district meetings. All LionNet nodemasters keep frequent contact with each other with the help of electronic mail. How to become a LionNet node? Are you running a Lions related www service?

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    If your country, state or province doesn't yet have a LionNet node, you might be the one to create one! Cooperation with good friends world-wide is great fun - and you might become part of it! If you're invited to become a NodeMaster, you will receive all the help you need to set up your Node. After you're invited to create a node, here are the steps you will take in developing your node: When you think your LionNet pages are ready to be published contact the administrators again.


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